This is a print is of Nihombashi Station (日本橋宿), the starting point along the Tokaido, made by Hiroshige Utagawa in 1833-1834. It appears in Hiroshige's The Fifty-three Stations of the Tokaido (東海道五十三次) collection.
This is a print is of Shinagawa Station (品川宿), the 1st station along the Tokaido, made by Hiroshige Utagawa in 1833-1834. It appears in Hiroshige's The Fifty-three Stations of the Tokaido (東海道五十三次) collection.
This is a print is of Secret Song of the Loquat Blossom: Kengyo Matsunami as Byoe Akushichi (当盛見立三十六花撰 秘曲の枇杷の花 松浪検校実ハ悪七兵ヱ), made by Kunisada Utagawa in 1863.
This is a print is of Scene of Oshun Denbei Horikawa (新はん おしゆん 伝兵衛 堀川乃段 上 近頃河原達引), made by Kunisada Utagawa in 1830.
This is a print is of Kyoto (written as "Keishi") at the Sanjo Bridge (京師/京都), the destination at the end of the Tokaido, made by Hiroshige Utagawa in 1833-1834. It appears in Hiroshige's The Fifty-three Stations of the Tokaido (東海道五十三次) collection.
This is a print is of Numazu Station (沼津宿), the 12th station along the Tokaido, made by Hiroshige Utagawa in 1833-1834. It appears in Hiroshige's The Fifty-three Stations of the Tokaido (東海道五十三次) collection.
This is a print is of Kambara Station (蒲原宿), the 15th station along the Tokaido, made by Hiroshige Utagawa in 1833-1834. It appears in Hiroshige's The Fifty-three Stations of the Tokaido (東海道五十三次) collection.
This is a print is of Fujisawa Station (藤沢宿), the 6th station along the Tokaido, made by Hiroshige Utagawa in 1833-1834. It appears in Hiroshige's The Fifty-three Stations of the Tokaido (東海道五十三次) collection.
This is a print is of Hara Station (原宿), the 13th station along the Tokaido, made by Hiroshige Utagawa in 1833-1834. It appears in Hiroshige's The Fifty-three Stations of the Tokaido (東海道五十三次) collection.
This is a print is of Maboroshi, 41st Print in Lady Murasaki's Genji Cards (紫しきぶ源氏かるた 四十一 まぼろし), made by Kunisada Utagawa II in 1857.
This is a print is of Oiso Station (大磯宿), the 8th station along the Tokaido, made by Hiroshige Utagawa in 1833-1834. It appears in Hiroshige's The Fifty-three Stations of the Tokaido (東海道五十三次) collection.
This is a print is of Otsu Station (大津宿), the 53rd station along the Tokaido, made by Hiroshige Utagawa in 1833-1834. It appears in Hiroshige's The Fifty-three Stations of the Tokaido (東海道五十三次) collection.
This is a print is of Arai Station (新居/荒江/荒井 宿), the 31st station along the Tokaido, made by Hiroshige Utagawa in 1833-1834. It appears in Hiroshige's The Fifty-three Stations of the Tokaido (東海道五十三次) collection.
This is a print is of Kambara Station (蒲原宿), the 15th station along the Tokaido, made by Hiroshige Utagawa in 1833-1834. It appears in Hiroshige's The Fifty-three Stations of the Tokaido (東海道五十三次) collection.
This is a print is of Hodogaya Station (程ヶ谷, 保土ヶ谷 宿), the 4th station along the Tokaido, made by Hiroshige Utagawa in 1833-1834. It appears in Hiroshige's The Fifty-three Stations of the Tokaido (東海道五十三次) collection.
This is a print is of Kusatsu Station (草津宿), the 52nd station along the Tokaido, made by Hiroshige Utagawa in 1833-1834. It appears in Hiroshige's The Fifty-three Stations of the Tokaido (東海道五十三次) collection.
This collection includes a total of 55 prints, printed using a top-of-the-line inkjet printer with archival-quality ink on A4-sized (8.3" x 11.7") Awagami Kozo Thick White washi. If handled and stored correctly, these prints can last for 100 or more years without fading or aging.
This is a print is of Mishima Station (三島宿), the 11th station along the Tokaido, made by Hiroshige Utagawa in 1833-1834. It appears in Hiroshige's The Fifty-three Stations of the Tokaido (東海道五十三次) collection.
This is a print is of Hakone Station (箱根宿), the 10th station along the Tokaido, made by Hiroshige Utagawa in 1833-1834. It appears in Hiroshige's The Fifty-three Stations of the Tokaido (東海道五十三次) collection.
This is a print is of Nihombashi Station (日本橋宿), the starting point along the Tokaido, made by Hiroshige Utagawa in 1833-1834. It appears in Hiroshige's The Fifty-three Stations of the Tokaido (東海道五十三次) collection.
This is a print is of Numazu Station (沼津宿), the 12th station along the Tokaido, made by Hiroshige Utagawa in 1833-1834. It appears in Hiroshige's The Fifty-three Stations of the Tokaido (東海道五十三次) collection.
This is a print is of Odawara Station (小田原宿), the 9th station along the Tokaido, made by Hiroshige Utagawa in 1833-1834. It appears in Hiroshige's The Fifty-three Stations of the Tokaido (東海道五十三次) collection.
This is a print is of Maboroshi, 41st Print in Lady Murasaki's Genji Cards (紫しきぶ源氏かるた 四十一 まぼろし), made by Kunisada Utagawa II in 1857.
This is a print is of Fujisawa Station (藤沢宿), the 6th station along the Tokaido, made by Hiroshige Utagawa in 1833-1834. It appears in Hiroshige's The Fifty-three Stations of the Tokaido (東海道五十三次) collection.
This is a print is of Kawasaki Station (川崎宿), the 2nd station along the Tokaido, made by Hiroshige Utagawa in 1833-1834. It appears in Hiroshige's The Fifty-three Stations of the Tokaido (東海道五十三次) collection.
This is a print is of Kanagawa Station (川崎宿), the 3rd station along the Tokaido, made by Hiroshige Utagawa in 1833-1834. It appears in Hiroshige's The Fifty-three Stations of the Tokaido (東海道五十三次) collection.
We offer ukiyo-e print reproductions using one of the best inkjet printers on the planet with some of the best ink ever made.
Using the right paper and in the right conditions, the ink can last 100 years without fading. Certain types of paper may not last as long without fading, but we also strive to only use the highest quality papers.
We use high-resolution scans of antique ukiyo-e prints and perform some image editing to try to make the prints look as they originally did when they were originally produced. This helps to preserve the grain lines and other artifacts from the original woodblock printing process instead of producing clean, digital prints.
We do purposefully keep in many of the damages and signs of aging in order to "preserve" the antique look, though. In the case of holes or lines, we are more likely to modify the image, but our main focus is to maintain authenticity to a significant degree.
There is no new post.
